Two Operas by Marc-Antoine Charpentier
Performed by Boston Early Music Festival
Pre-performance lobby lecture at 7 pm with Paul O'Dette and Stephen Stubbs
McPherson Playhouse, 3 Centennial Square, Victoria
The performance is about 2 hours, including one intermission.
Two jewels of the French Baroque, these operas are a brilliant fusion of music, drama, and dance, staged by one of the world's leading baroque ensembles. Paul O'Dette and Stephen Stubbs, reigning authorities on early music, lead the internationally acclaimed singers, instrumentalists, and dancers of the Boston Early Music Festival.
Orphée is a blend of two operas by Marc-Antoine Charpentier. The operas, dating from 1685 and 1686, are presented as a play within a play – a musical contest framing the story of Orpheus and Euridice.
La Couronne de Fleurs, based on a text by Molière, depicts the musical contest in tribute to Louis XIV, in which shepherds vie for a crown of flowers from the goddess Flora for the most beautiful and eloquent aria in praise of the Sun King.
The short opera La Descente d'Orphée aux Enfers is presented as a further entry in the poetic contest, telling the famous story of Orphée, who decends into the underworld to use his musical powers to rescue his beloved Euridice.
These miniature masterpieces showcase one of the great composers of the French Baroque.
Playful, elegant, and haunting, this performance is a perfect melding of consummate musicianship and exhilarating theatricality.
A must-see for those who love the art of the Baroque and the glory of Opera!
Behind-the-Scenes Preview video of Boston Early Music Festival's original 2011 production of La Descente d'Orphée aux Enfers, with rehearsal scenes. Video by Kathy Wittman, Ball Square Films.
Below, Boulevard Magazine's preview of Orphée and an interview with James Young, Artistic Director of the Early Music Society of the Islands
When Eurydice dies ... it was quite simply grief in motion and music, extraordinarily moving. It happened again, in a chilling way, when Orphée, told he cannot look back at his love, walks with her behind him very slowly ... That doomed walk of theirs is what I will remember ...
Susan Miron, The Arts Fuse
One fully felt the power of music ... the fragility of its status and the scariness of its possible disappearance.
Charles Warren, The Berkshire Review
The orchestra, led by BEMF musical directors Paul O'Dette and Stephen Stubbs, was nearly flawless in their performance, both technically and artistically. The singers offered strong performances as soloists, as well as stellar ensemble performances. In keeping with Baroque theatrical tradition, the musical ensemble was also joined by dancers, all of whom executed their part in expert fashion. Both works featured outstanding performances by the leads.
Joel Schwindt, Boston Musical Intelligencer
Founded in 1980 – the same year Pacific Opera Victoria was incorporated – the Boston Early Music Festival has long been one of the leading groups in the performance of music from the Medieval, Renaissance, Baroque and Classical eras, acclaimed internationally for their artistry, technical polish, style, scrupulous research, and above all, excitement and drama. This is a perfect opportunity for Victorians to acquaint ourselves with the bewitching and unique world of French Baroque opera, made only more perfect by the performers. NOT TO BE MISSED!!
Boston Early Music Festival Chamber Opera Series
Boston Early Music Festival Vocal Ensemble
Boston Early Music Festival Chamber Ensemble
Boston Early Music Festival Dance Ensemble
Personnel Subject to Change
for the March 14th performance.
Includes VIP Seating and post-performance reception with the performers. Reception is at 10 pm in the upper mezzanine.
Gala Seats: $125
March 14th only.
Gala Tickets include VIP Seating and a post-performance reception with the performers. Reception is at 10 pm in the upper mezzanine.
Student rush tickets: only $15, one hour before show, with Valid ID
Saturday March 15, 4pm
Wingate Studio, 925 Balmoral Road (St. John the Divine Hall)
The Conductor and Co-Artistic Director of the Boston Early Music Festival conducts a masterclass with an emphasis on baroque practice.
No charge. Please register in advance: 250-382-1641 or
Aaron Sheehan as Orphée
Portrait presumed to be of Marc-Antoine Charpentier
Wikipedia Article about Louis XIV, whose praises are sung in La Couronne de Fleurs.
Louis XIV, in 1685, the year La Couronne de Fleurs was composed.
Louis XIV as Apollo, by Henri Gissey, in Le Ballet de la nuit, a ballet choreographed in 1653. It consisted of 45 dances, and King Louis appeared in five of them.